BJ Cole

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  • BJ Cole
    (Songwriter and Musician)
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The New Hovering Dog

23/12/2006 17:13:10 By BJ Cole

‘The New Hovering Dog’ was my first solo album, and was originally released in 1973. It has never been re released on CD, and has become a much sought after collectors item. After making three albums with the Country Rock/ Psychedelic band Cochise (1969/1973), I broke away from the Country Rock format to create a more experimental album that combines poetic lyrics with orchestrations and electronics. In retrospect it can be compared with the early work of Brian Eno. THE TRACKS. ‘REGAL PROGRESSION’ and ‘COLD MOUNTAIN MARINER’ features a strong cast of the top musicians of the era, including Danny Thompson on Double Bass, Mike Giles (King Crimson) on drums and Francis Monkman (Curved Air) on Harpsichord. Robert Kirby, who is better known for his work with Nick Drake, did the orchestral arrangements. As with most of the other tracks on the album, and on this unique occasion, I did the singing, as well as all the Pedal Steel parts. ‘NOW YOU SEE THEM, NOW YOU DON’T’, YOU’RE PROBABLY LOST’ and ‘I KNOW NOW’. Songs of paranoia and megalomania, featuring my old buddies Keith Baker (Bass) and Laurie Jellyman (Drums). Heavily inspired by seeing Captain Beefheart and The Magic Band. Additional madness is supplied by Graham Preskett (Violin & Vocals) and Bill LeSage (Piano). ‘UP ON THE HILL WHERE THEY DO THE BOOGIE’. A momentary lapse into Country Music territory with this cover of a John Hartford song. This was the single, believe it or not. ‘FIVE PIECES FOR STEEL GUITAR AND PERCUSSION’ my first attempt at writing a suite of orchestral pieces. Featuring Tristan Fry (later of the group SKY) on percussion. ‘THE EAST WINCHLEY TANGO’ In 1971 I got hold of one of the first VCS3 Synthesizers. This tune was edited down from a longer improvised performance utilising the oscillators and joystick control, and morphed into ring modulated wind chimes. The album has been re mastered from original master tapes and transferred at high resolution by Neil Wilkes of Opus Productions Ltd. The album has not sounded this good since I mixed it at Lansdowne Studios, London in 1972 BJ Cole 2006 Track Listing *The Regal Progression *Now You See Them, Now *You Don't *The Cold Mountain Mariner *Up On The Hill Where They Do The Boogie (Hartford) *You're Probably Lost *Five Pieces For Steel Guitar & Percussion *I Know Now *The East Winchley Tango All songs composed by BJ Cole except where shown Musicians. BJ COLE Steel Guitar, Dobro, Cheng,VCS3 & Vocals ROBERT KIRBY Piano & arrangements FRANCIS MONKMAN Harpsichord DANNY THOMPSON Double Bass KEITH BAKER Electric Bass MIKE GILES Drums LAURIE JELLYMAN Drums TRISTRAM FRY Percussion GRAHAM PRESKETT Electric Violin CRISPIAN STEEL-PERKINS Trumpet MICK AUDSLEY Guitar & Vocal ROY GILLARD Violin ANDY BABYNCHUK Violin BRIAN HAWKINS Viola SUE SHEPHERD Cello Recorded at Lansdowne, DJM, Philips and DeLaneLea Studios London 1972 Quotes from Franz Kafka’s short story, ‘Investigations Of A Dog’, Used in the promotion campaign of the album ‘The New Hovering Dog’ by BJ Cole. “We dogs are all engaged in the strangest occupations, occupations in which one would refuse to believe if one had not the most reliable information concerning them. The best example I can quote is that of the hovering dog. The first time I heard of one I laughed and simply refused to believe it”. “So it was too with the hovering dogs. I discovered a great many things about them; true, I have succeeded to this day in seeing none of them, but of their existence I have been firmly convinced for a long time, and they occupy an important place in my picture of the world”. “Take the hovering dogs once more as an example; they are not haughty as one might imagine at first, but rather particularly dependent upon their fellow dogs; if one tries to put oneself in their place one will see that.” “And perhaps indeed it is well not to be too obstinate, but to yield to public sentiment, to accept the extant hovering dogs, and without recognizing their right to existence, which cannot be done, yet to tolerate them. But more than this must not be required; that would be going too far, and yet the demand is made. We are perpetually being asked to put up with New Hovering Dogs who are always appearing.” Following the release of ‘The New Hovering Dog’ in 1973, BJ Cole went on to record with an impressive roster of well known recording artists, and to record four more solo albums of his own. To find out all about his many projects and achievements, check out his website at www.bjcole.co.uk and contact him via www.Myspace.com/bjcolemusic

A Biography

23/12/2006 17:06:43 By BJ Cole

There are two main aspects to BJ Cole's thirty odd years in the music business. Firstly, as a unique innovator on his chosen instrument, the Pedal Steel Guitar, he has carved out a formidable reputation as a session musician. He has recorded with many of the great names in the Rock world, such as Elton John, Marc Bolan, Scott Walker, Beck, Bjork, Sting, REM, David Sylvian and many others. Secondly, as a musical innovator and artist in his own right. BJ began as a founder member of the British post psychedelic band Cochise* (three albums for United Artists). He then went on to write and record his seminal experimental album 'The New Hovering Dog' (United Artists 1973), which featured many of the leading British musicians of the day, including bassist Danny Thompson, drummer Mike Giles (King Crimson) and keyboardist Francis Monkman (Curved Air). Following a long hiatus in his artistic career due to the demands of session work, BJ returned to his artistic career in 1989 with 'Transparent Music' (Hannibal Records), an instrumental album that took the Pedal Steel Guitar into an impressionistic musical world far from it's familiar role in Country music. On the album, contemporary classical works such as Debussy's 'Clair De Lune' and Satie's 'Gnossiennes' sat alongside BJ's own experiments in ambient composition, performed by BJ's own group, the Transparent Music Ensemble. As a result of 'Transparent Music', BJ COLE extended his activities on the avant garde and ambient music scene; working on recording projects with American minimalist Harold Budd and French composer Hector Zazou, establishing a working relationship with ambient House wizards The Orb, and appearing on TV and European Arts festivals accompanying John Cale. In 1995 BJ and his group The Transparent Music Ensemble released ‘Heart Of The Moment’, a follow up album to ‘Transparent Music’ featuring original compositions. Since then, BJ has dedicated much of his time to working with DJ’s and programmers in the Dance music field. His 2000 album with Luke Vibert entitled ‘Stop The Panic’ broke down many of the barriers that have existed between performing musicians and DJ’s, and has opened up a whole new audience for his innovative music. In the last two years BJ has collaborated with such luminaries of Electronica as Groove Armada, Bent, Kumo, Alabama 3 and Luke Vibert to produce tracks for his album ‘Trouble In Paradise’, available as both a CD and a Special Edition DualDisc featuring both Stereo and High Resolution Surround Sound mixes.

Welcome to the new indiestore of BJ Cole.

19/12/2006 16:29:33 By 7digital

BJ Cole create an indiestore account with 7digital to showcase their music!

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